…that this vain idiot runs a country.
New expo Doisneau
A new exhibition of Robert Doisneau has opened in Bram, to the South of Toulouse. It runs from the 1st of February until the 3rd of May and is entitled « Ombre and Lumière » (‘Shade and Light’)
The organizers have a reputation for bringing some very good work to Bram, a previous exhibition in 2014 was « The Mexican Suitcase » based on work by Rober Capa, so I’m planning a visit – there will be 100 images (not too sure which eras they date from yet…) – should be worth a visit…
So, what’s new?
Quite a lot going on at the moment – a weekend on the coast, a couple of circus residencies, a photo workshop….let’s start at the beginning.
The last week of January brought another circus company to Auch, with their version of Tchaikovsky’s « Swan Lake » – interesting watching a man romping around in a ‘tutu’…
What made this more interesting, and infinitely more complicated, was the directors inability to understand that I don’t work for free…
Once this was sorted out (and it took 6 days…) we moved on…to a REAL spectacle. This was « Interprète » by the Cheptel Aleïkoum/Maxime Mestre. I know the company well, and while for this spectacle there was only Maxime on stage, the rest of the troupe are here in Auch for virtually a whole month’s « residence » – they have asked me to work for them towards the end of the month – great news – they seem to like what I’ve done for them in the past!!
We enjoyed FANTASTIC weather during our weekend on the Atlantic coast – sunshine the whole time, good grub and lots to photograph (although all I seem able to do when the sun comes out, is point my camera at it – this is particularly frustrating to people who follow me on FLICKR as it seems every image has the sun in it somewhere… )
Of course, it was rather convenient to have the vestiges of a number of WWll blockhouses just laying there on the beach…so photogenic…
This week after ‘covering’ the show at CiRCa, I ran a photo workshop, with a number of adolescents, overseen by the local authorities. The kids had to photograph a number of key places here in the town, and I had to be on hand to ‘help’ in case they had photo related questions. I managed to keep my head down and followed everyone around, listening to our guide.
It’s very difficult trying to get a ‘different’ angle on a building that has been photographed many millions of times before…
The guide gave us all square mirrors, and it was unusual to be able to walk around and try to navigate just by looking up…
What on earth will I come up with to occupy myself next week?
Visa pour l’Image 2020
Yes, I know it seems a long way off, but it’s worth noting the dates NOW. Wouldn’t want to miss it…
Happy New Year
I don’t like straps….
I should qualify this, I feel – as a general rule, camera straps just get in my way. I have a short ‘hand-grip’ strap for the D3s which is ideal – I can’t drop the camera, and it improves my hold. This connects to the upper right strap lug, and the lower strap fits onto my ARCA type ‘L’ plate that is permanently fixed to the camera.
I have been looking for an equivalents for my Z series cameras, but up until now I couldn’t find one with the additional ARCA type quick-release tripod mount that I use.
Up until now. This is the JJC Pro1M
It’s fairly clear how this connects to the camera body – a strap passes through the righthand strap lug, and a metal plate screws into the tripod mount underneath.
The advantage of this model is the ARCA type rapid release tripod mount incorporated into the metal plate that fixes underneath the camera. I can slot it straight into my tripod ballheads without a problem.
There is another model, the Pro1P which doesn’t have this mount, but the lower plate has a couple of extendable ‘feet’ which allow the camera down stand on a flat surface without it leaning forwards onto the lens.
The most amazing thing is that these are available at 22€ post free.
I was WRONG !
Hard to believe, I know, but it’s true.
All this time I’ve been complaining about this damn joystick thingy that controls the focus point on the Nikon Z series cameras, saying that it’s totally useless etc. but I’ve just discovered there IS a use for it, and it turns out that it’s VERY useful indeed.
Situation: out with my camera, early one morning, aiming to shoot the sunrise over the Pyrénées. Not unnaturally, the camera, equipped with the 70-200 f/4 lens, is firmly seated on a tripod. This is what I see in the viewfinder:-
The focus point falls on the flanks of the mountain (not a lot of contrast there) so to be sure I’m actually focusing on an area that the camera can use to focus, and instead of releasing the ball-head lock and moving the camera up to move the focus point, I moved the little joystick thingy up a couple of blips so that it was on the crest of the mountain and BAMM – it focused perfectly. All this WITHOUT moving the camera. I’m frankly astounded at just how long it has taken me to realize this.
I never thought I’d ever find a use for this damn thing – and now, in the space of a week, I’ve found that there is a use for it, AND that I can programme it to reset itself if I accidentally move it. The world is truly a wonderful place!
More news – it would seem that there is a new firmware update for the Z6/7 coming from Nikon this week. No confirmation, but it’s likely to enable people to use the ProRes RAW format for video enthusiasts, and improved autofocus. Still no news on the firmware update to enable the use of CFExpress cards – which are now available.
Cat? What cat?
The one that’s now « out of the bag »… this is the Nikon Z 7 which is now part of my camera gear…
…and it’s great. I’ve already been out to take make some test shots, and the first thing that surprised me was the lack of hi-ISO noise even though I was shooting at 6400 ISO – remember the sensor is almost twice the pixel density of the Z6.
The battery pack now allows me to shoot continuously for much longer than before – sometimes I had to change the camera battery halfway through a performance, which was a nuisance. The batteries can be « hot swapped » – this means that if one runs down, it can be changed without affecting the power coming from the other battery (assuming it’s charged…) The only button on the battery grip allows you to check the charge of the batteries inside. There is also a USB-C connection to enable external charging (but only when the camera is turned off, strangely)
The grip is metal (magnesium alloy?) but the end caps (battery doors) are plastic. Ergonomically it actually helps (me!) to grip the body of the camera – the only downside at the present moment, is that an ARCA tripod mounting plate designed for this grip hasn’t appeared on the market yet – as I would generally use this for dynamic (concert, performance) work this isn’t a huge problem, but it’ll be nice to see someone get to making one so that I can whack it onto a tripod easily.
There’s not a lot to say about the camera itself – aside from a couple of minor (IMHO) technical issues – slower burst shooting, lower maximum Hi-ISO setting – which don’t affect me in any way, it’s IDENTICAL to the Z6 – in fact, the only thing different is the 6 or the 7 on the bottom righthand of the camera body.
This shot was one of the first I shot on the new body – as you can see, the hi-ISO is pegged at 6400 and frankly the noise is handled extremely well.
This was taken a couple of days earlier, but the ISO was down to 200 as I had the camera on a tripod.
This is confusing in that the detail was masked by the fog! Hi-ISO but on a tripod.
Are you listening NIKON?
This is the back of the NIKON Z 6 – the yellow arrow marks the famous ‘joystick’ used to move the focus point around the frame area.
Who needs it? More to the point, why can’t we turn it off, or at least LOCK it into a position (preferably central)?
I am far from being the only person who, every time they pick up the camera, manages to move this STUPID control somewhere where we don’t want it to be. As it is, I NEVER physically move the focus point – I simply point the camera, with my finger on the AF-ON button (and the focus point in the center of the frame) to where I want to mark the focus, then I lock it (by taking my finger off the AF-ON button) and compose the shot – simple.
It would seem likely that there are actually people out there who have the time, and or inclination to piss about moving the damn focus point all over the place before taking the picture – what a WASTE of time and effort. Why do you think there is AF-C and an AF-ON button?
I cannot believe that it’s rocket science to add a menu item (oh no, not more bloody menu items….) to activate/disactivate this function – and I feel sure it would make a huge number of people happy…
This said, we’re still waiting for the firmware update to be able to read CFexpress cards…ok, so they are not actually very freely available at the moment…and the few I’ve seen are even more expensive than XQD cards (which are FAR from cheap)
HELP IS (finally) AT HAND
A friend who « suffers » from the same problem has found a way to ‘reset’ the default value for the joystick.
In the CUSTOM CONTROL menu, menu item f2 allows you to assign different values to a number of controls – one of which is the famous ‘joystick’ (third down, on left)
Simply assign the value « RESET to Center » and every time you press this button, it will automatically come back to it’s central (initial) position. so even if the joystick is moved and the spot changes, it’s very easy to get back to the middle. I missed this as A: I rarely actually read the menu items due to the fact that B: I can’t actually read.
Many thanx David – lifesaver!
Bye-bye DX
This weekend I made a very radical decision – I don’t like selling stuff, but it’s a bit silly keeping perfectly useable camera gear in a box – it only loses it’s resale value in the event I do get around to selling it. The problem is that I have shifted over to the hybrid mirrorless system, which is much more adapted to the environments I generally work in.
So this one had to go..
I initially bought the D500 for two reasons – the first was that it has a wonderful sensor, which works very well in VERY low light situations, and the second, that with a small ‘kit’ of three lenses, I could fit it all into a small Think Tank bag and cart it around very easily. It became my holiday camera – until the arrival of the Z6.
This camera is what Nikon call ‘DX‘ which means half frame or 23.5 x 15.7 mm which is half the ‘full frame’ 24 x 36mm (Nikon ‘FX‘ format) – the lens mount is the classic Nikon ‘F’ and any Nikon lens will fit – this model also has the ‘screw drive’ autofocus connection (as well as the electrical contacts for more recent lenses) so even the original auto focus Nikkor lenses will work.
I used three lenses with this camera body – the 10.5mm fisheye, the 10-24mm wide-angle zoom, and the 16-85mm mid-range zoom – they were all I really ever needed. Using my FX lenses was possible, and I remember using the 70-200 f/4 successfully with the camera – of course, the focal range became 140-400, but that was the point – I needed a long focal length which I didn’t have available in a DX mounting.
Anyway, this ‘kit’ will soon be in the hands of another photographer – I wish them well, it never failed me. I just hope the hybrid mirrorless bodies stand up as well to the working environment…